{"id":1305,"date":"2022-04-18T12:56:50","date_gmt":"2022-04-18T12:56:50","guid":{"rendered":"https:\/\/idealab.rs\/?p=1305"},"modified":"2022-06-03T06:34:01","modified_gmt":"2022-06-03T06:34:01","slug":"ocekujte-neocekivano-na-koncertu-suvremene-klasicne-glazbe","status":"publish","type":"post","link":"https:\/\/idealab.rs\/hr\/ocekujte-neocekivano-na-koncertu-suvremene-klasicne-glazbe\/","title":{"rendered":"Koncert suvremene klasi\u010dne glazbe - o\u010dekujte neo\u010dekivano!"},"content":{"rendered":"<p>Ako ste vidjeli najavu za koncert suvremene klasi\u010dne glazbe i pitali se \u0161to o\u010dekivati, koja je razlika u odnosu na obi\u010dni koncert klasi\u010dne glazbe, odgovor je - gotovo sve!<\/p>\n<p>Neke od prvih asocijacija na koncert klasi\u010dne glazbe su uglavnom strogo\u0107a, formalni nastup ljudi odjevenih u crna sve\u010dana odijela i haljine koji u ti\u0161ini slu\u0161aju glazbu koju izvode bez ikakvog razgovora izme\u0111u pjesama. Takav koncept koncerta nastao je davno, ba\u0161 kao i skladbe koje glazbenici sviraju ili pjevaju na pozornici.<\/p>\n<p>No, ako su na repertoaru skladbe koje su nastale danas ili nekoliko desetlje\u0107a ranije, velika je vjerojatnost da \u0107e disciplina glazbenika potpuno izostati, jer to od njih zahtijevaju djela koja izvode.<\/p>\n<h3><span style=\"color: #800080;\">Za\u0161to koncerti suvremene klasi\u010dne glazbe nisu zabranjeni?<\/span><\/h3>\n<p>Kako bi se suzdr\u017eanim moglo nazvati nekoga tko je buntovnik\u00a0<strong>lupka nogom o pod dok svira violinu<\/strong>, ili netko ne\u0161to mrmlja ili\u00a0<strong>vi\u010de sviraju\u0107i harfu<\/strong>? Mislim da biste upotrijebili sasvim druga\u010diji izraz.<\/p>\n<p>Isto vrijedi za pijanistu koji stoji dok svira i zapravo vi\u0161e dodiruje \u017eice svog instrumenta nego pragove, ili za klarinetistu koji malo po malo\u00a0<strong>vadi svoj telefon i pu\u0161ta neke zvukove s njega<\/strong>. Da, s telefona. A nije rijetkost da su zvukovi nastali elektroni\u010dki ravnopravni sudionici u stvaranju suvremene klasi\u010dne glazbe, pa se osim akusti\u010dne glazbe na koncertu mo\u017ee \u010duti i\u00a0<strong>elektroni\u010dka<\/strong>, to je,<strong>\u00a0elektroakusti\u010dna glazba<\/strong>.<\/p>\n<div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe title=\"2K+ Mogu\u0107e. duo u KC Labu\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/UoxNMVrFQC4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">Kao i uvijek, umjetnost ide s vremenom (ili ispred njega) i koristi ili aludira na sve \u0161to nas okru\u017euje. Svojim jezikom pri\u010da pri\u010du ili nas samo poti\u010de na stvaranje vlastite te u nama budi emocije i stanja koja \u0107e biti razli\u010dita koliko i mi kao pojedinci.<\/p>\n<h3><span style=\"color: #800080;\">\u0160to je jo\u0161 druga\u010dije?<\/span><\/h3>\n<p>Suvremeni skladatelji \u010desto istra\u017euju mogu\u0107nosti zvuka i eksperimentiraju na razli\u010dite na\u010dine \u2013 bilo kombiniranjem naizgled nespojivih instrumenata i njihovih boja (primjerice, ansambl \u010dine blok flauta, truba, harfa i harmonika) ili osmi\u0161ljavanjem nekih\u00a0<strong>nove tehnike sviranja<\/strong>\u00a0(\u0161to uklju\u010duje spomenuto \u0161utiranje, vikanje, ali i mnoge druge stvari) i uvo\u0111enje razli\u010ditih\u00a0<strong>zvukove iz svakodnevnog \u017eivota<\/strong>\u00a0(zvuk prometne gu\u017eve, melodija iz video igrica ili mobilnih aplikacija).<\/p>\n<p>Nerijetko su i oni zastupljeni\u00a0<strong>video projekcije<\/strong>\u00a0ili\u00a0<strong>poetski\/dramski dijelovi<\/strong>, \u0161to koncert suvremene glazbe \u010dini multimedijskim doga\u0111ajem koji pro\u0161iruje fokus sa samo auditivnog na vizualni aspekt. I da, doga\u0111a se\u00a0<strong>publika sudjeluje u stvaranju djela<\/strong>, koriste\u0107i tehnologiju (aplikacije) ili proizvode\u0107i vlastite zvukove.<\/p>\n<div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe title=\"2K+ telefoni: uklju\u010deni\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/UnpQLT-PBPQ?start=294&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>Teme kojima se autori bave su raznolike, od svakodnevnih i svima pro\u017eivljenih do vrlo apstraktnih, a ponekad je jedina &quot;tema&quot; sam zvuk, odnosno glazba.<\/p>\n<p>Na koncertu suvremene glazbe izvo\u0111a\u010di, a \u010desto i skladatelji (ako su prisutni) predstavljaju djelo publici prije izvo\u0111enja. Umjesto toga, oni uvode slu\u0161atelje u ono \u0161to \u0107e \u010duti,\u00a0<strong>reci nam ne\u0161to o tom sastavu<\/strong>\u00a0kako bismo\u00a0<strong>lak\u0161i za spajanje<\/strong>\u00a0s njom i nau\u010dili pone\u0161to o samom procesu nastanka tog djela iz razli\u010ditih kutova.<\/p>\n<h5><\/h5>\n<h3><span style=\"color: #800080;\">Gdje mogu prisustvovati koncertu suvremene klasi\u010dne glazbe?<\/span><\/h3>\n<p style=\"text-align: left;\">Nedavno sam bio na jednom takvom doga\u0111aju u Novom Sadu, u organizaciji <a href=\"https:\/\/savremenamuzika.02hero.rs\/\" rel=\"nofollow noopener\" target=\"_blank\"><strong>Interdisciplinarni centar za kontakt suvremene glazbe<\/strong><\/a>.<\/p>\n<p style=\"text-align: left;\"><strong>Vesna Mitar<\/strong>, flautist i osniva\u010d\u00a0<em>jedini<\/em>\u00a0udruge posve\u0107ene promicanju klasi\u010dne suvremene glazbe u na\u0161oj zemlji, smatra da je to upravo tako\u00a0<strong>pribli\u017eavanje publici kroz razgovor<\/strong>\u00a0o njoj i njezinim odnosima s drugim sferama umjetnosti i dru\u0161tva pravi je na\u010din pribli\u017eavanja slu\u0161ateljima.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/savremenamuzika.02hero.rs\/\" rel=\"nofollow noopener\" target=\"_blank\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-1306 aligncenter\" src=\"https:\/\/idealab.rs\/wp-content\/uploads\/2022\/04\/vesnamitar-300x207.jpg\" alt=\"Vesna Mitar Koncert suvremene klasi\u010dne glazbe\" width=\"445\" height=\"307\" title=\"\"><\/a><em>Vesna Mitar<\/em><\/p>\n<p>\u201eCilj nam je usmjeriti slu\u0161atelje prema novim zvu\u010dnim praksama i otkrivanju suvremenog repertoara koji je kod nas vrlo malo zastupljen. Mislim da suvremeni skladatelji imaju mnogo toga za ponuditi glazbenoj sceni i da treba slu\u0161ati \u0161to nam govore, jer me\u0111u nama ima <strong>\u017eivimo u istom vremenu i prostoru<\/strong>\u201c, obja\u0161njava Vesna.<\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 16px;\">Zaista, emocije i razmi\u0161ljanja koje je u meni potaknuo koncert na kojem su nastupili <\/span><a style=\"font-size: 16px; background-color: #ffffff;\" href=\"https:\/\/savremenamuzika.02hero.rs\/o-nama\/\" rel=\"nofollow noopener\" target=\"_blank\">\u010dlanova<\/a><span style=\"font-size: 16px;\"> Centar Kontakt, potpuno su druga\u010diji od onih koji se pojavljuju kada posjetim doga\u0111aj na kojem npr. nastupaju glazbenici. <\/span><span style=\"font-size: 16px;\">kompozicije <\/span><a style=\"font-size: 16px; background-color: #ffffff;\" href=\"https:\/\/www.youtube.com\/watch?v=de-NLJ0doao\" target=\"_blank\" rel=\"noopener nofollow\">Beethoven<\/a><span style=\"font-size: 16px;\">,\u00a0<\/span><a style=\"font-size: 16px; background-color: #ffffff;\" href=\"https:\/\/www.youtube.com\/watch?v=ovFPKu00cCc\" target=\"_blank\" rel=\"noopener nofollow\">\u010cajkovski<\/a><span style=\"font-size: 16px;\">,\u00a0<\/span><a style=\"font-size: 16px; background-color: #ffffff;\" href=\"https:\/\/www.youtube.com\/watch?v=WiU_1nbpY7Q\" target=\"_blank\" rel=\"noopener nofollow\">Rahmanjinova<\/a><span style=\"font-size: 16px;\">.<\/span><\/p>\n<p><span style=\"font-size: 16px;\">Osim potpuno<strong>\u00a0iznena\u0111uju\u0107i zvu\u010dni efekti<\/strong>, na\u010dinima sviranja na razli\u010ditim instrumentima i op\u0107enito\u00a0<strong>atmosfera<\/strong>\u00a0na koncertu, \u0161to je za mene potpuno novo i veliko iskustvo, glazba suvremenih skladatelja \u010dini da se osje\u0107a\u0161 prisutnije u tom djelu, kao\u00a0<strong>sudionik i va\u017ean \u010dimbenik u njegovu stvaranju<\/strong>. Jedna od kompozicija koja je upravo to u\u010dinila:<\/span><\/p>\n<div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe title=\"Guillaume Connesson: Techno parada\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/lS1OlSCC05U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>Vesna ka\u017ee da je u pripremi Kontakt <strong>vi\u0161e koncerata u Novom Sadu<\/strong>. Pogledajte njihove\u00a0<a href=\"https:\/\/savremenamuzika.02hero.rs\/aktuelan-program\/\" rel=\"nofollow noopener\" target=\"_blank\">Program<\/a>\u00a0i priu\u0161tite si potpuno novo glazbeno iskustvo\u00a0<a href=\"https:\/\/savremenamuzika.02hero.rs\/prijava\/\" rel=\"nofollow noopener\" target=\"_blank\">besplatno<\/a>.<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Ako ste videli najavu za koncert savremene klasi\u010dne muzike i zapitali se \u0161ta da o\u010dekujete, koja je razlika u odnosu na uobi\u010dajen klasi\u010dan koncert, odgovor je \u2013 skoro u svemu! Neke od prvih asocijacija na koncert klasi\u010dne muzike uglavnom su u\u0161togljenost, formalan nastup ljudi obu\u010denih u crna sve\u010dana odela i haljine i nemo slu\u0161anje muzike [&hellip;]<\/p>\n","protected":false},"author":48,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[107],"tags":[135,132,133,134,137,136],"class_list":["post-1305","post","type-post","status-publish","format-standard","hentry","category-02hero","tag-interdisciplinarni-centar-za-savremenu-muziku-kontakt","tag-koncert-savremene-klasicne-muzike","tag-savremena-muzika","tag-savremeni-kompozitori","tag-u-novom-sadu","tag-vesna-mitar"],"acf":[],"_links":{"self":[{"href":"https:\/\/idealab.rs\/hr\/wp-json\/wp\/v2\/posts\/1305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idealab.rs\/hr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idealab.rs\/hr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idealab.rs\/hr\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/idealab.rs\/hr\/wp-json\/wp\/v2\/comments?post=1305"}],"version-history":[{"count":10,"href":"https:\/\/idealab.rs\/hr\/wp-json\/wp\/v2\/posts\/1305\/revisions"}],"predecessor-version":[{"id":1340,"href":"https:\/\/idealab.rs\/hr\/wp-json\/wp\/v2\/posts\/1305\/revisions\/1340"}],"wp:attachment":[{"href":"https:\/\/idealab.rs\/hr\/wp-json\/wp\/v2\/media?parent=1305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idealab.rs\/hr\/wp-json\/wp\/v2\/categories?post=1305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idealab.rs\/hr\/wp-json\/wp\/v2\/tags?post=1305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}